Tom Ford. Designer. Photographer. Film maker. American.
Ford was born in Austin, Texas, but spent most of his childhood in Santa Fe, Ford moved to NY to study art history at NYC, but after partying too hard during the Warhol/Studio 54 era, he dropped out and moved to LA. He worked as an actor for a while before moving back to NY to study architecture at Parsons School of Design. Tom Ford then transferred to Parsons' Paris campus, and in his final year of architecture he suddenly decided to switch to fashion. In 1990, Ford moved to Milan to join Gucci as the company's women's wear designer. In 1992, he became design director and in 1994 he was appointed creative director of Gucci. He designed all product lines, and headed all advertising campaigns and store design. In 2000, following the acquisition of Yves Saint Laurent and YSL Beaute by Gucci, Ford took over as creative director of Yves Saint Laurent Rive Gauche + YSL Beaute. Ford left Gucci in 2004 to then start his own brand, Tom Ford, in a year later with menswear and accessory collections. In 2009, Ford made his first film, A Single Man, starring Colin Firth and Julianne Moore. It was only after seeing this brilliant film that I fully appreciated the genius of Tom Ford. He is one of the most talented, versatile artists of our time. His vision for design and style has no boundaries-his work is both classic and trend-setting.
Photographer Profile ~ Helen Levitt
Helen Levitt (August 31, 1913 – March 29, 2009) was an American photographer. She was particularly noted for "street photography" around New York City, and has been called "the most celebrated and least known photographer of her time."
Levitt grew up in Brooklyn. Dropping out of high school, she taught herself photography while working for a commercial photographer. While teaching some classes in art to children in 1937, Levitt became intrigued with the transitory chalk drawings that were part of the New York children's street culture of the time. She purchased a Leica camera and began to photograph these works, as well as the children who made them. The resulting photographs were ultimately published in 1987 as In The Street: chalk drawings and messages, New York City 1938–1948.
She associated with Walker Evans in 1938-39. She enjoyed early success. In July 1939, the new photography section of the Museum of Modern Art in New York City included Levitt's work in its inaugural exhibition. In 1943, Nancy Newhall curated her first solo exhibition "Helen Levitt: Photographs of Children" there. Her next major shows were in the 1960s.
In the late 1940s, Levitt made two documentary films with Janice Loeb and James Agee: In the Street (1948) and The Quiet One (1948). Levitt, along with Loeb and Sidney Meyers, received an Academy Award nomination for the screenplay of The Quiet One. Levitt was active in film making for nearly 25 years; her final film credit is as an editor for John Cohen's documentary The End of an Old Song (1972). Levitt's other film credits include the cinematography on The Savage Eye (1960).
In 1959 and 1960, Levitt received two Guggenheim Foundation grants to take color photographs on the streets of New York, and she returned to still photography. In 1965 she published her first major collection, A Way of Seeing. Much of her work in color from the 1960s was stolen in a 1970 burglary of her East 13th Street apartment. The remaining photos, and others taken in the following years, can be seen in the 2005 book Slide Show: The Color Photographs of Helen Levitt. In 1976, she was a Photography Fellow of the National Endowment for the Arts.
She lived in New York City and remained active as a photographer for nearly 70 years. New York's "visual poet laureate" was notoriously private and publicity shy. [via wiki]
Serious Play: The Worlds of Helen Levitt from Tanya Sleiman on Vimeo.
Levitt grew up in Brooklyn. Dropping out of high school, she taught herself photography while working for a commercial photographer. While teaching some classes in art to children in 1937, Levitt became intrigued with the transitory chalk drawings that were part of the New York children's street culture of the time. She purchased a Leica camera and began to photograph these works, as well as the children who made them. The resulting photographs were ultimately published in 1987 as In The Street: chalk drawings and messages, New York City 1938–1948.
She associated with Walker Evans in 1938-39. She enjoyed early success. In July 1939, the new photography section of the Museum of Modern Art in New York City included Levitt's work in its inaugural exhibition. In 1943, Nancy Newhall curated her first solo exhibition "Helen Levitt: Photographs of Children" there. Her next major shows were in the 1960s.
In the late 1940s, Levitt made two documentary films with Janice Loeb and James Agee: In the Street (1948) and The Quiet One (1948). Levitt, along with Loeb and Sidney Meyers, received an Academy Award nomination for the screenplay of The Quiet One. Levitt was active in film making for nearly 25 years; her final film credit is as an editor for John Cohen's documentary The End of an Old Song (1972). Levitt's other film credits include the cinematography on The Savage Eye (1960).
In 1959 and 1960, Levitt received two Guggenheim Foundation grants to take color photographs on the streets of New York, and she returned to still photography. In 1965 she published her first major collection, A Way of Seeing. Much of her work in color from the 1960s was stolen in a 1970 burglary of her East 13th Street apartment. The remaining photos, and others taken in the following years, can be seen in the 2005 book Slide Show: The Color Photographs of Helen Levitt. In 1976, she was a Photography Fellow of the National Endowment for the Arts.
She lived in New York City and remained active as a photographer for nearly 70 years. New York's "visual poet laureate" was notoriously private and publicity shy. [via wiki]
Since I'm inarticulate, I express myself with images. ~ Helen L
Serious Play: The Worlds of Helen Levitt from Tanya Sleiman on Vimeo.
